Originally published in Volume 3, Offbeat (August 2004).

Creativity

Upon Completing “The Wreck of the Deutschland,” Gerard Manley Hopkins Pauses

Joanna Grant

No doubt my poetry errs on the side of oddness. It is the vice of distinctiveness to become queer. This vice I cannot have escaped.
--Gerard Manley Hopkins to Robert Bridges, 1879


1. In the cool quiet
Of his study and most private thoughts
He writes the last few lines; blotting the page
He closes and locks the desk drawer.
Raising his hands he studies the stains the black ink
Has left on his long pale fingers; shuddering,
He plunges the besmirched members in the corner
Jug and scrubs and scours until all that is stained is made clean.

2. For a moment he dwells
On a young man's fanciful dreams
Of worldly fame, praise for his verse, the
Inky accolades of heroes and peers in print;
This secular angel is one he knows too well; his brassy wings
Have brushed his face too often in dreams as he grapples
With their owner on the edge of a dizzying height,
Waking in a cold sweat with the itch to write upon him again.

3. Walking out he seeks to cleanse
His mind, he opens himself to the glory
Of all God's pied creation; as the sun breaches
The dappled ranks of the clouds of Wales he prays
For renewal like the soft earth after spring rain;
Enfold me O God in your soft strong arms shore up my
Weakness my fame-hungry idolatry my flawed mortality
And bring this penitent sinner home to God-grandeur, heaven-haven, Amen.